Use the most intense colors to subdue the most ferocious beasts .

Jacky chewkor is a visual , Impressionism and fauvism artist.In his early life,he worked as graphic designer,reporter and part time administrator
there is a day when he encounter the oil paint tube, he transform become oil painter,he learn the history and absorb technique from various great old master,
,The Impressionist brushstrokes are like a tamer's whip, taming the outdoor wild and vivid Fauvism beasts, beast is like a desire,,beast of aesthetic,beast of color,beast of perfection,beast of hate and love.With reform and modification on shape ,line and detail,He felt both styles could be  integrated to complement each other.

Colors needless to be attached to any natural form or their authenticity   with they have their own character traits. It gets rid of the inherent color characteristics of objects, and color will release its independence and regain its dominance. It fully shows the expressionist tendency of pursuing emotional expression. Even if the beast is locked in a cage, it is still the most striking object.

 Art is not for the specific,art relate to everybody,from prison to palace.Art is more than pretty and aesthetic feeling
Art can attract,arouse,reflect,motivate,praise,criticize,convey,inspire,appeal,
cure even--- revolution

In contrast to the bright and vivid colors of Impressionism and Fauvism, he also did black graffiti art. He agreed with what Leo Tolstoy said: all the variety,  all the charm, all the beauty of life are made up of light and shadow. He also believed that sometimes the best brilliance of human nature can be better revealed in the darkest and most desperate situations.

Every master has a different interpretation of style. What he defines is the message of the style

用最浓烈的色彩降伏最凶猛的野兽

JACKY CHEWKOR  周谷嶫 是馬來西亞 视觉 , 印象与野獸派 艺术家,他擁有工商,设计与油画文凭證書，他早期從事行政与美术设计工作,在一次偶然的机缘下他接觸到了油画颜料管，他便转形为油画家。他开始学习西洋美术历，從各门各派大師吸取精髓,基於对色彩筆觸和鮮豔对比的偏好, ,通过对形状，线条和细节的改革和修改，他觉得两种风格可以融合,互相裨補,相得益彰
印象派的笔触就像驯兽师的鞭子，驯服了户外狂野而生动的野兽，所谓的野獸也代表了内心的慾望 ,美感的野兽，色彩的野兽，完美的野兽，爱与恨的野兽
色彩不再依附于任何自然形态或本真性，而是具有自己的性格特征。它摆脱了物体固有的色彩特征，色彩将释放其独立性，重新获得主导地位。它充分展现了追求情感表达的表现主义倾向。即使野兽被关在笼子里，它仍然是最引人注目的对象
艺术的世界非常辽阔,並不局限以色彩的美感，沒有最好的風格，只有最适恰的主題，他觉的艺术有无数的功能,藝術可以美化,吸引,推升、喚醒,教育、记录,反映、激勵、讚揚,歌頌,傳承、批評.糾正,傳達,强固、啟發,治愈甚至革命,沒有光明創造光明，沒有黑夜創造黑夜
運用兩派的特色,为外面世界一切的人事物,花草木，楼河路，在金碧陽光的照耀下,铺上多层交溶色彩，让这个熙熙攘攘，喧嚣繁华的世界增添 缤纷绚丽，千紫斑斓

对比印象派与野獸派的鮮豔色彩，他也有做黑色的涂鸦艺术，他認同列夫·托尔斯泰所说：人生的一切变化，一切的魅力，一切美都是由光明和阴影构成的，而他也認为有時在最至暗的絕境之中反而更能彰顯出人性中最美好的光輝

每个大師都对風格有不同的註释，而他定义的是風格的讯息,

EDUCATION

Diploma in oil paint ,design and B administration

1998-First impression-KT LOTUS GALLERY
1999-Reimpression-KT gallery Astaka showroom
1999-ultimate group impression art show
2000-Wild beast millineum art exhibition
2013-Unleash the beast art show
2017-fauvism  Impressionism -paramount art show exhibition

jkckart@gmail.com