Location: Venezuela
Manuel Riera Duran Mildan maestro pintor ecuatoriano quien vivio y trabajo en Tovar Venezuela
Manuel Riera Duran mejor conocido como MILDAN , nacio en la provincia de Santa Isabel de Azuay en Ecuador , el 13 de Octubre de 1928. De padre Irlandes y de madre dedicada a la medicina.
Fue un lector precoz y ya a los 12 años habia escrito su primera novela.
Posteriormente se traslada a Guayaquil y a Cuenca para cursar estudios superiores de arte entre 1948 y 1950.
Llega a Caracas venezuela en 1966 e imparte clases de arte pero en 1974 se establece de manera definitiva en la ciudad de Tovar en el estado Merida de Venezuela hasta su muerte.
En Tovar contrae matrimonio y tiene dos hijos ademas se dedica exclusivamente a la produccion de su obra artistica y a la experimentacion con materiales.
Apoya al talento joven emergente en Tovar en su casa taller.
Su trabajo esta influenciado por el realismo lirico, el surealismo y el abstraccionismo lirico.
Maestros como Gauguin, Cezanne, Marc Chagall, Vasily Kandinsky , Hector Poleo fueron objeto de estudio por MILDAN ademas de influir en su obra de manera considerable.
Mnauel Riera Duran, better known as MILDAN, was born in the province of Santa Isabel de Azuay in Ecuador, on October 13, 1928. From an Irish father and a mother dedicated to medicine.
He was a precocious reader and by the age of 12 he had written his first novel.
Later he moved to Guayaquil and Cuenca to study higher art studies between 1948 and 1950.
He arrived in Caracas, Venezuela in 1966 and taught art classes, but in 1974 he settled permanently in the city of Tovar in the Merida state of Venezuela until his death.
In Tovar he married and has two children, he also dedicates himself exclusively to the production of his artistic work and to experimentation with materials.
Support the emerging young talent in Tovar at his home workshop.
His work is influenced by lyrical realism, surealism and lyrical abstractionism.
Masters such as Gauguin, Cezanne, Marc Chagall, Vasily Kandinsky, Hector Poleo were studied by MILDAN in addition to influencing his work in a considerable way.
Visit instagram mildanart / www manuelrieraduranmildanpintor Blogspot .com
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
Mildan pintor
Tiene o no caracter pintorico?
Para definir si un artista configura un lenguaje es pertinente en primer lugar indagar la fuente de la cual bebe .
Inmediatamente denota una gran influencia de Marc Chagall y de Hector Poleo lo cual siempre tendra como referente la figura humana
Eso Le da cierto caracter a su obra ademas del aporte que Mildan le agrega con el tema de las transparencias.
La aficcion del maestro por la escuela magnetica Joaquin Trincado lo acerca a un pozo de reflexion filosofica sobre el hombre y El trascedente siempre presentes en su obra .
El otro aspecto determinante es la produccion prolifica y exclusiva a lo largo del tiempo , lo cual caracterizo al maestro Mildan.
El otro aspecto es su originalidad o la personalidad que se configura o lo que comumente llamamos : sello personal
Una obra del Maestro Mildan es sin lugar a dudas muy caracteristica o propia .
Otra caracteristica es la investigacion o la insistencia del artista por descubrir alternativas en la produccion. Es sabido por cercanos que el maestro Mildan producia sus propios pigmentos para pintar y su afan por obtener nuevos colores con sello propio
Influyo? Genero escuela? Es otro topico que ayuda a sospechar del alcance del artista y su lenguaje .
Tal vez ....en Tovar donde vivio por 50 años y luego de cierto vinculo y relacion muy estrecha con los artistas emergentes
incluso ocasionalmente algunos le trabajaron en el taller como asistentes lo que se tradujo en algunos de ellos que comenzaron a trabajar temas y recursos que el maestro Mildan manejaba tales como:
" transparencias , El colorido sepia y ocre, El manejo especulativo del oleo, El neo-paisajismo , la neo-figuracion"
Tal vez este aporte ayude a aclarar El agua y podamos ver Los peces.
Fui testigo y alumno, Le conoci apenas a mis 9 años de edad y fui su asistente ocasional del maestro Mildan . Hoy le rindo respeto y espero que no apeguemos esa luz que junto a Elbano Mendez Osuna encendieron en Tovar Venezuela
Ruben Molina
Mildan painter
Does it have a painterly character or not?
To define whether an artist configures a language, it is first pertinent to inquire into the source from which he drinks.
It immediately denotes a great influence from Marc Chagall and Hector Poleo which will always have as a reference the human figure
That gives a certain character to his work in addition to the contribution that Mildan adds with the theme of transparencies .
The teacher's fondness for the Joaquin Trincado magnetic school brings him closer to a well of philosophical reflection on man and The transcendent always present in his work.
The other determining aspect is the prolific and exclusive production over time, which characterized the master Mildan.
The other aspect is its originality or the personality that is configured or what we commonly call: personal stamp
A work by Master Mildan is undoubtedly very characteristic or his own.
Another characteristic is the investigation or the insistence of the artist to discover alternatives in the production. It is well known that the master Mildan produced his own pigments for painting and his desire to obtain new colors with his own stamp
Influence? Gender school? It is another topic that helps to suspect the scope of the artist and his language.
Maybe ... in Tovar where he lived for 50 years and after a certain bond and very close relationship with emerging artists
Some even occasionally worked for him in the workshop as assistants which resulted in some of them starting to work on topics and resources that Master Mildan handled such as:
" transparencies, The sepia and ocher colors, The speculative handling of oil, The neo-landscaping, the neo-figuration "
Perhaps this contribution will help clarify the water and we can see the fish.
I was a witness and a student. I only knew him when I was 9 years old and I was his occasional assistant to Master Mildan. Today I pay respect to him and I hope that we do not attach that light that together with Elbano Mendez Osuna they lit in Tovar Venezuela
Ruben Molina
“MAS ALLA DE LOS OTROS ”
“MAS ALLA DE LOS OTROS ”
“MAS ALLA DE LOS OTROS ”
“MAS ALLA DE LOS OTROS ”
“MAS ALLA DE LOS OTROS ”
“MAS ALLA DE LOS OTROS ”
