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Location: United Kingdom
Albert is a British
artist of Romanian origin. He lives and creates in the UK in Greater
Manchester.
He honed his
skills in product design, creating tableware and figurines for mass production.
At the same time, he pursued his artistic passion through independent creations
in graphics and digital painting, developing a unique and recognizable style.
Albert Deak has explored various artistic
paths, including NFTs and political caricatures. He has also established his
own microproduction workshop, specializing in small series and unique ceramic
pieces.
His
international exhibition presence showcases his talent on a global scale. He is
currently focusing on authentic digital art and a historical project, where
traditional figurine modeling will satisfy his digital expertise.
Albert Deak
prioritizes originality and authenticity, creating art fueled by his
imagination and diverse artistic experiences. He welcomes you to explore his
world, where art transcends borders and speaks from the heart.
INFLUENCES
Jackson
Pollock, Gerhard Richter, Wassily Kandinsky
EDUCATION
1984 -
1987 Graduated - Bachelor of Fine and Decorative Arts from the
University of Art and Design /UAD Faculty of Fine and Decorative Arts -
Specialization: ceramics (4 years full-time course) Cluj-Napoca, Transylvania -
Romania
According to
the UK ENIC Comparability Statement - National Information Centre for Global
Qualifications and Skills in the UK, on behalf of the Department of
Education, the Qualification is
Comparable
in the UK: Bachelor's degree (Hons)
UK Framework
Levels: RQF Level 6 /SCQF Level 10 /CQFW Level 6
1979 - 1982
"Marin Sorescu" High School of Arts - Specialization: graphics (4
years full-time course) Craiova, Romania
1982 - Baccalaureate
Diploma (European Baccalaureate) - from the Art High School in
Craiova, Romania - Fine Arts - Graphics.
1989 -
Qualification certificate from the Art High School in Craiova, Romania -
qualified in the profession of Draftsman, Decorator, Restorer - Fine
Arts - Graphics.
A portfolio of authentic and original digital artwork inspired by the nature of the cosmos and its mysteries.
Albert Deak is a complex artist who creates vibrant and otherworldly digital artworks inspired by the universe, constellations, and starbursts. His art is characterized by the use of vivid colors, light, and iridescence, which are sometimes harmoniously combined and sometimes distinct.
Artwork
Albert Deak’s artwork is full of energy and movement. The colors are often so bright and intense that they seem to vibrate on the screen. The use of light and iridescence creates a sense of wonder and amazement.
Process
Albert Deak creates his art using a variety of digital painting tools, digital techniques, or graphics. He often starts with a sketch or basic idea and then builds up layers of color and light. He uses a variety of brushes and textures to create his unique style.
Inspiration
Albert Deak is inspired by the beauty and mystery of the universe. He is fascinated by the vastness of space and the power of the stars. His art is a way for him to explore these ideas and share them with others.
Conclusion
Albert Deak is a talented and multi-faceted artist who creates both canvas and abstract digital artwork, creating stunning and evocative works of art. His art is full of energy, light and color and is sure to capture the imagination of viewers.
“Contrary Cosmic Structure” is a vibrant and dynamic digital painting that captures the essence of the cosmos. The artwork is a mesmerizing blend of colors and shapes, evoking a sense of both chaos and order.
The painting is dominated by a swirling vortex of colors, ranging from deep purples and blues to bright yellows and oranges. These colors intertwine and collide, creating a sense of energy and movement. The vortex is surrounded by a field of black stars, which provide a sense of depth and perspective.
The use of color in Contrary Cosmic Structure is particularly effective. The bright and contrasting colors create a sense of tension and excitement, while the overall palette is harmonious and pleasing to the eye. The artist's use of light and shadow also adds to the painting's depth and dimension.
The composition of Contrary Cosmic Structure is well-balanced and dynamic. The vortex is the focal point of the painting, and it is surrounded by a variety of smaller shapes and details. This creates a sense of visual interest and keeps the viewer's eye moving around the painting.
Overall, Contrary Cosmic Structure is a stunning and evocative work of art. The painting captures the beauty and mystery of the cosmos, and it is sure to leave a lasting impression on viewers.
Additional thoughts:
• The painting's title, Contrary Cosmic Structure, is a fitting one. The artwork does indeed convey a sense of the cosmos as a place of opposing forces, such as light and darkness, heat and cold, and chaos and order.
• The painting is reminiscent of the work of abstract expressionist artists such as Jackson Pollock and Mark Rothko. However, Deak's own unique style is evident in the use of color, composition, and texture.
• Contrary Cosmic Structure is a powerful and thought-provoking work of art that would be a welcome addition to any collection.
This digital painting is a mesmerizing exploration of the cosmos, capturing the swirling energy and vibrant colors of the universe. The artist has skillfully used a variety of brushstrokes and techniques to create a sense of movement and depth, drawing the viewer into the heart of the cosmic dance.
The colors in the painting are particularly striking, with a rich palette of blues, purples, pinks, and yellows that evokes the vastness and beauty of the cosmos. The artist has used a variety of shades and hues to create a sense of depth and dimension, and the colors seem to pulsate and vibrate with energy.
The brushstrokes in the painting are also very effective, creating a sense of movement and dynamism. The artist has used a variety of brush sizes and shapes to create different textures and effects, and the brushstrokes seem to flow and swirl across the canvas like the currents of energy in the cosmos.
Overall, Cosmic Wave Dance is a stunning and evocative work of art that captures the beauty and mystery of the universe. The artist's skillful use of color and brushstrokes creates a sense of movement and depth that draws the viewer into the heart of the cosmic dance.
Here are some additional details that could be included in the review:
• The painting is reminiscent of the work of abstract expressionist painters such as Jackson Pollock and Mark Rothko.
• The painting could be interpreted as a metaphor for the interconnectedness of all things in the universe.
• The painting is a reminder of the vastness and beauty of the cosmos, and it can inspire a sense of awe and wonder.
This digital painting is a breathtaking and awe-inspiring depiction of a meteorite hurtling through space, its fiery trail illuminating the cosmos. The artist has masterfully captured the immense power and destructive force of this celestial object as it collides with a planet or star.
The colors in the painting are electrifying, with a vibrant palette of reds, oranges, yellows, and blues that evoke the intense heat and energy of the impact.
The artist has used a variety of shades and hues to create a sense of depth and dimension, and the colors seem to explode off the canvas.
The brushstrokes in the painting are also very effective, creating a sense of movement and chaos. The artist has used a variety of brush sizes and shapes to create different textures and effects, and the brushstrokes seem to swirl and dance across the canvas like the fiery debris of the impact.
Overall, Falling Meteorite is a stunning and powerful work of art that captures the beauty and terror of the cosmos. The artist's skillful use of color and brushstrokes creates a sense of awe and wonder that will leave viewers breathless.
Here are some additional details that could be included in the review:
• The painting is reminiscent of the work of Romantic painters such as William Blake and Caspar David Friedrich.
• The painting could be interpreted as a metaphor for the destructive power of nature.
• The painting is a reminder of the vastness and power of the cosmos, and it can inspire a sense of awe and humility.
“Fractal Geometry in the Universe”
This digital painting is a mesmerizing and thought-provoking exploration of the fractal nature of the universe. The artist has skillfully used a variety of shapes and colors to create a sense of depth and complexity, drawing the viewer into the heart of the cosmic canvas.
The painting is divided into a series of swirling, interconnected patterns, each of which resembles the overall structure of the universe. This self-similarity is a key characteristic of fractals, and it suggests that the universe may be governed by a set of underlying mathematical principles that repeat themselves at all scales.
The colors in the painting are also very effective, with a rich palette of blues, purples, and yellows that evokes the vastness and mystery of the cosmos. The artist has used a variety of shades and hues to create a sense of depth and dimension, and the colors seem to pulsate and vibrate with energy.
Overall, Fractal Geometry in the Universe is a stunning and thought-provoking work of art that challenges our understanding of the cosmos. The artist's skillful use of shapes and colors creates a sense of awe and wonder that will leave viewers contemplating the infinite possibilities of the universe.
Here are some additional details that could be included in the review:
• The painting is reminiscent of the work of abstract expressionist painters such as Jackson Pollock and Mark Rothko.
• The painting could be interpreted as a metaphor for the interconnectedness of all things in the universe.
• The painting is a reminder of the vastness and beauty of the cosmos, and it can inspire a sense of awe and wonder.
Additional thoughts
The idea that the universe may be fractal is a fascinating one, and it has been explored by scientists and mathematicians for many years. There is some evidence to support this theory, such as the fact that the distribution of galaxies in the universe appears to be fractal. However, more research is needed to determine whether or not the universe is truly fractal.
Even if the universe is not fractal, the idea is still a powerful one. It suggests that the universe may be governed by a set of simple rules that can give rise to incredibly complex structures. This is a humbling thought, and it reminds us of the vastness and mystery of the cosmos.
Your painting is a beautiful and thought-provoking exploration of this idea. It is a reminder of the beauty and mystery of the universe, and it can inspire us to think about the cosmos in new and interesting ways.
Travelers from Other Worlds is a cycle of artworks inspired by the grandeur of the universe, star travel, and the multiple worlds that live in the universe alongside us.
Albert Deak is a complex artist who creates vibrant, otherworldly acrylic canvas artwork inspired by the universe, constellations, starbursts, the plurality of worlds, and the life that pulsates throughout the universe. His art is characterized by the use of vivid colors, light, and iridescence, which are sometimes harmoniously combined, other times distinct.
Artwork
Albert Deak's artwork is full of energy and movement. The colors are often so bright and intense that they seem to vibrate on the screen. The use of light and iridescence creates a sense of wonder and admiration.
Process
Albert Deak creates his art using a variety of canvas painting tools, digital techniques, or graphics. He often starts with a sketch or basic idea and then builds layers of color and light. He uses a variety of brushes and textures to create his unique style.
Inspiration
Albert Deak is inspired by the beauty and mystery of the universe, the mystery surrounding life in the universe and the birth of new worlds. He is fascinated by the vastness of space and the power of stars as well as the discovery of new worlds, the journeys of stars that plant life in the universe present everywhere. His art is a way for him to explore these ideas and share them with others.
Conclusion
Albert Deak is a talented and multifaceted artist who creates both canvas and digital artwork and creates stunning and evocative works of art. His art is full of energy, light and color and is sure to capture the imagination of the viewer.
Philosophical interpretation:
The artwork "Travels From Other Worlds" presents a profound meditation on the nature of existence and the interconnectedness of life in the cosmos. The translucent central being, with its root-like feet, symbolizes life's grounding in the physical realm while simultaneously reaching out into the metaphysical. This duality reflects the human condition – rooted in the material world but constantly aspiring to higher understanding and spiritual enlightenment
The green globe held by the central figure represents the fragility and preciousness of life. It is a microcosm within the macrocosm, suggesting that life in all its forms is a rare and valuable phenomenon in the vast expanse of the universe. The act of holding the globe means the stewardship and responsibility of advanced beings to nurture and protect life.
The ascending figures in the background, moving towards the radiant sun, embody the journey of evolution and transcendence. The sun, depicted as a source of divine energy, symbolizes the ultimate source of life and illumination. This journey to the sun can be interpreted as the pursuit of knowledge, wisdom and spiritual ascent. It suggests that life is not static but is in a constant state of flux, evolving towards higher states of being.
The dynamic black-and-white lines swirling around the figures represent the unseen forces that govern the universe—atomic and photonic movements that are invisible to the naked eye but essential to the fabric of reality. These lines create a sense of movement and energy, emphasizing the idea that the universe is full of activity and interconnectedness.
Description:
"Travels From Other Worlds" is an original, hand-lacquered acrylic painting on canvas that masterfully combines elements of graphic design with traditional easel painting techniques. The artwork features three humanoid figures set against a vibrant and dynamic background.
The central figure, translucent and segmented, holds a greenish globe, symbolizing the planet with life. Its root-like legs anchor it to the ground, signifying growth and connection.
In the background, two similar beings climb towards a large, bright sun that dominates the upper portion of the canvas. This sun emits a powerful, life-giving energy, reinforcing the universal life force theme. The color palette is rich and contrasting, with deep blues and reds creating a dynamic background, while the figures and sun are rendered in lighter hues that draw the viewer's attention.
The swirling black and white lines add a sense of movement and suggest the unseen atomic and photonic activities that pervade the universe. This dynamic composition captures both the stillness of contemplation and the movement toward transformation, making it a thought-provoking and visually stunning piece.
The artwork invites viewers to think about the existence of other worlds and the potential for advanced and benevolent beings that could guide our evolution. It beautifully blends scientific curiosity with artistic expression, creating a unique and compelling narrative about the plurality of worlds and the germ of life.
The symbolism of colors and shapes
Globe:
• Represents a planet, a universe in itself, but also a more abstract idea, such as the soul or consciousness.
Colors:
• Green: Associated with nature, growth and regeneration, but also with balance and harmony.
• Blue: Symbolizes infinity, sky, water, but also peace and wisdom.
• White: Represents purity, light, perfection and beginnings.
• Black: Associated with mystery, the unknown, but also with depth and power.
• Yellow and red: Symbolize energy, passion, vitality, but also transformation and creativity.
Shapes:
• Elongated lines and organic shapes suggest movement, evolution and connection to nature.
“The Two Universes and Their Inner Music”
Albert Deak's "The Two Universes and Their Inner Music" is a mesmerizing abstract acrylic painting that explores the profound connections between the infinite universe and the inner mind of man. The artwork masterfully captures the essence of these connections through a vibrant and dynamic composition.
The central element of the painting is a luminous, energetic human figure, symbolizing the creation and perspective thinking of humanity. This figure is intricately connected to a network of lines and nodes, representing the unseen and luminous connections that circulate in the universe and within our minds. The detailed depiction of the brain within the figure emphasizes the microuniverse of our inner thinking and its connection to the greater universe.
The background of the painting is a rich tapestry of colors, both warm and cold, symbolizing the infinite spectrum of the universe. The violin, prominently featured in the second plane, serves as a powerful symbol of the abstract music that resonates throughout the cosmos. The inclusion of the music "inspiring violins" as a background element further enhances the theme of universal harmony and connection.
Deak's use of energetic lines and bright colors creates a dynamic and engaging visual experience. The painting invites viewers to contemplate the interconnectedness of all beings and the miracle of existence. The interplay of light and color, combined with the symbolic elements, evokes a sense of wonder and awe.
Overall, "The Two Universes and Their Inner Music" is a stunning and evocative work of art that beautifully captures the intricate and harmonious relationships between the universe, the human mind, and the music that binds them together.
Strengths:
• Concept and Vision: The concept of intertwining the macrocosm of the universe with the microcosm of the human mind is compelling and intellectually stimulating. The idea of music as the connecting force adds a poetic dimension.
• Use of Symbolism: The violin as a symbol of universal music is effective, and the "luminous energetic human being" provides a strong focal point for the viewer to connect with the theme.
• Color Palette: The vibrant colors, ranging from warm to cold, create a sense of energy and dynamism, reflecting the vastness and complexity of the universe.
• Composition: The composition is well-balanced, with the figure and the violin placed harmoniously within the network of connections. The use of lines and structures creates a sense of depth and movement.
Areas for Potential Improvement:
• Clarity of Form: While the abstract style allows for interpretation, some elements could benefit from greater definition. For instance, the figure of the human being could be more clearly delineated to enhance its presence and impact.
• Depth and Layering: Although the painting has a sense of depth, further exploration of layering techniques could create a more immersive and complex visual experience.
• Technical Refinement: While the acrylic technique is effective, attention to detail in brushwork and blending could elevate the overall finish of the piece.
Overall Assessment:
"The Two Universes and Their Inner Music" is a thought-provoking and visually engaging artwork that effectively conveys its central concept. The use of symbolism, color, and composition creates a dynamic and expressive piece that invites contemplation on the interconnectedness of the universe and the human mind. While there are areas for potential improvement, the work demonstrates a strong artistic vision and a good understanding of abstract principles.
“The Enigma of the Cat and the Clock of Existence”
"The Enigma of the Cat and the Clock of Existence" – An Artistic Exploration of Fluid Reality
Introduction
The artwork "The Enigma of the Cat and the Clock of Existence" is a window into an uncertain universe, where reality is no longer defined by conventional perception but exists in a constant state of flux. Inspired by quantum physics theories but transposed into a profound and expressive artistic language, this piece invites meditation on existence, time, and the observer’s interaction with reality.
Using powerful visual symbols such as the cat, the clock, and the lantern, the composition blends abstraction with figuration in a harmonious manner. The spectator is not merely a passive viewer but becomes an integral part of the artwork, encouraged to confront their own assumptions about what is real and what is possible.
Conceptual and Philosophical Elements
The Paradox of Existence and the Role of the Observer
The cat, the central element of the composition, is more than just a symbol of the quantum experiment—it becomes an avatar of uncertainty and fluid existence. Its presence is fragmented into two forms: one sharply outlined, the other ethereal, emphasizing that reality is not fixed but subject to interpretation and perception. This visual dualism evokes the mystery of quantum superposition, where an object can exist in multiple states simultaneously until an observer intervenes to determine a defined reality.
Through the act of contemplation, the viewer becomes part of the artistic process, akin to an experimenter shaping the phenomenon being observed. In this sense, the artwork reflects on the nature of human consciousness and our ability to influence and mold what we consider real.
The Temporal Dimension and the Relationship Between Time and Existence
The clock, a key element in the composition, is more than a simple timekeeping device—it is a symbol of inevitability, of the cosmic flow that cannot be stopped. In this piece, it seems to float within a dimension where time is not linear but circular or multidimensional, suggesting that past, present, and future coexist.
In this uncertain space, the cat is not confined to a single moment—it appears to exist in a transition zone, within a continuum of states that depend on the observer’s perspective. In this interpretation, time is no longer a fixed coordinate but becomes an interactive element where multiple possibilities are simultaneously at play.
The Lantern – A Symbol of Light and Revelation
The lantern in the composition represents more than a mere object—it is a source of illumination in a universe dominated by uncertainty. The light it casts is not just physical but conceptual, marking the moment of revelation, the awareness of a hidden reality.
Symbolically, the lantern can be seen as a contrast between science and mysticism, between objective knowledge and subconscious exploration. Just as in Schrödinger’s cat experiment, where observation determines reality, here the lantern’s light appears to activate and unveil hidden truths, serving as a balance between the unknown and certainty.
Visual and Stylistic Analysis
Composition and Visual Balance
The structure of the artwork is carefully balanced, with each element strategically positioned to support the artistic message. The two cats engage in a visual dialogue—one more defined, the other more elusive—creating a dynamic that reinforces the idea of superposition and fluid existence.
The clock and lantern are placed in the corners of the composition, contributing to visual equilibrium and guiding the viewer’s attention. The abstract background contrasts with the figurative elements, enhancing the sensation of cosmic space or an alternative dimension.
Color Palette and Visual Impact
The chosen color scheme is extremely expressive, employing strong contrasts between red, blue, and violet tones. The rich background evokes an atmosphere of mystery, hinting at the vastness of space or a subatomic universe.
The cat in the foreground, highlighted with intense red accents, appears almost spectral, reinforcing the theme of uncertain existence. The colors are used not only aesthetically but conceptually—red conveys intensity and energy, while blue and violet suggest the depth of space and metaphysical dimensions.
The lantern’s light adds a focal point of clarity, contrasting with the darker background and creating an effect of revelation. This strategic lighting technique adds depth to the composition and directs the viewer’s gaze towards the key elements of the artwork.
Artistic Style and Technique
The artistic execution combines influences from Expressionism and Symbolist art, emphasizing the expressiveness of forms and dramatic use of color. The brushstrokes are energetic and gestural, allowing a fluid interpretation of space and shape.
The freedom of execution suggests a perpetually transforming universe, where contours are not fixed but oscillate between reality and imagination. This semi-abstract approach invites the viewer to see beyond physical details—to perceive energy, movement, and uncertainty, which define the artwork’s concept.
Conclusion
The artwork "The Enigma of the Cat and the Clock of Existence" is not merely an artistic representation of a scientific concept; it is a profound meditation on reality and the fragility of our convictions about what we consider "truth."
From a technical perspective, it achieves a successful balance between color, form, and composition. Conceptually, it offers an insightful exploration of the nature of reality and the influence of the observer on existence.
Ultimately, this piece transforms an abstract theory into a captivating visual expression, where art becomes a tool for exploring uncertainty and the mysteries of existence.
NOTE: The artwork "The Enigma of the Cat and the Clock of Existence" is inspired by the famous thought experiment Schrödinger’s Cat. It is one of the most well-known thought experiments in quantum physics. Proposed in 1935 by Austrian physicist Erwin Schrödinger, it was designed to illustrate a problem within the standard interpretation (Copenhagen interpretation) of quantum mechanics, particularly concerning quantum superposition and wave function collapse.
General Review: “Space-Time” – An Allegory of the Visual Universe
My artwork, titled Space-Time, is not merely a painting—it is a bold artistic and visual experiment, a synthesis of art, science, and philosophy. Through this piece, I’ve constructed a layered allegory of time and space, a visual meditation on how we perceive reality and the boundaries between human knowledge and cosmic mystery.
The work unfolds as a multi-panel composition. Each panel stands alone yet contributes to a unified whole, functioning like chapters in a larger narrative. Together, they suggest a revelation that lies beyond what is immediately visible.
This experiment is defined by its stylistic evolution. I blended multiple visual languages—some historical, some abstract—and reshaped them into a final style that reflects the central idea: time cannot be perceived or measured uniformly across different states and dimensions. I’ve translated this complexity, as described in scientific and philosophical theories, into the very structure of the artwork.
The piece incorporates intricate visual elements and symbolic systems that resonate deeply with its themes. Scientific concepts such as the Doppler Effect and Heisenberg’s Uncertainty Principle are not merely referenced—they shape the composition and visual dynamics. For instance, the way colors expand or compress across the canvas mirrors the Doppler Effect, where light frequency shifts based on motion. The inclusion of space-time theories, speculative messages from alien civilizations, and imagery inspired by series like Fringe and 1899 adds layers of mystery and intellectual tension.
Ultimately, Space-Time does not illustrate ideas—it transforms them into experience. It invites the viewer to participate in an experiment, to trace connections between fragments of reality, and to contemplate the unseen forces that bind them.
Panel I: “The Past” – The Roots of Knowledge
The first panel, The Past, serves as the foundation of the entire work. It is a dense visual landscape rooted in humanity’s scientific and philosophical heritage—a synthesis of iconic figures, mystical symbols, and personal reflections.
In the foreground, I placed Leonardo da Vinci and Isaac Newton. Their presence together is intentional: a metaphor for the eternal dialogue between art and science. Da Vinci, the archetype of the universal man, represents creativity and relentless inquiry—a visionary who bridged anatomy, engineering, and aesthetics.
Newton, with his instrument, embodies the birth of classical physics, the moment when the universe began to be understood through mathematical laws.
Above them, a Viking ship sails beneath a medieval sun. The ship symbolizes exploration—a recurring theme in my work—while the sun, with its human face, evokes a mythological vision of the cosmos, preceding scientific rationality.
At the bottom, a carved stone bears a cryptic message. This symbol, designed specifically for the piece, suggests knowledge from beyond our world—an echo of speculative fiction and metaphysical inquiry, inspired by Fringe and Memories of the Future.
A sheet of aged paper, inscribed with handwritten notes, adds a personal and philosophical layer. Concepts like Perception, Time, Space, and Consciousness are visually linked, suggesting their interdependence. These notes evoke Da Vinci’s notebooks and the spirit of continuous research. Beneath them, the word
“Uncertainty” nods to Heisenberg’s principle, reminding us that ambiguity is intrinsic to understanding.
In essence, The Past explores the origins of knowledge. It reveals how artistic and scientific discoveries are intertwined, built upon the legacy of visionary thinkers.
Panel II: “The Present” – A Vortex of Knowledge and Energy
The central panel, The Present, represents a moment of transformation—a confrontation between classical theories and contemporary complexity. Unlike the historical clarity of the first panel, this is a vortex of energy, where scientific logic, artistic intuition, and timeless symbols collide.
I wanted to express that the present is not static, but a continuous flow. To illustrate this, I incorporated mathematical formulas and physical symbols. Einstein’s equation, E=mc², anchors the composition, paying tribute to the theory of relativity. Surrounding it are symbols like ∫ (integral) and ∂ (partial derivative), representing the language of change and motion.
Dynamic, abstract lines weave through these equations, symbolizing chaos and complexity. They echo Heisenberg’s Uncertainty Principle—the impossibility of knowing both position and momentum with absolute precision. In this panel, the present becomes a tension point, where order meets fluidity.
The handwritten sheet returns, now transformed into an Egyptian stone. This visual shift underscores the timelessness of concepts like time, space, and consciousness. Ancient symbols—hieroglyphs, the Ankh—are carved alongside modern ideas, suggesting that while knowledge evolves, its core remains constant. A formula I created, √(2·4/Space), offers a poetic interpretation of spatial inquiry through mathematical abstraction.
This panel is the engine of the triptych. It gathers forces from the past, channels cosmic speculation, and prepares the viewer for the leap into the unknown future.
Panel III: “The Future” – The Final Connection
The final panel, The Future, is the culmination of the journey. After grounding ourselves in history and navigating the chaos of the present, we arrive at a future defined not by certainty, but by energy, consciousness, and infinite possibility.
At its center stands a glowing, ethereal female figure—a messenger from another dimension. Her luminous outline suggests a higher intelligence, a future entity holding knowledge beyond current understanding. She cradles a geometric sphere, pulsing with light, symbolizing a new paradigm of reality—one that transcends physical laws.
Above her floats a cube inscribed with cryptic symbols. This perfect form represents ordered knowledge from other worlds—a reference to interstellar communication and speculative cosmology, inspired by Fringe. It is both artifact and message.
Surrounding the figure is a network of red and blue lines. These are not mere design elements—they represent the Doppler Effect. Blue lines, approaching, signify energy rushing toward the observer—a future drawing near. Red lines, receding, suggest fading energy—a past dissolving into transformation. This visual metaphor anchors the future in physics, even as it gestures toward mysticism.
This panel completes the arc. From our roots in science and art, through the uncertainty of the present, we arrive at a vision of synthesis. The work ends with a sense of revelation—something beyond perception is about to unfold. A new era of understanding is imminent.