Location: United Kingdom
I am an artist living in London. I was born in Yerevan, Armenia. In 2001, I immigrated to England. After my early retirement, I had more time to spend on my art creation. My preferred style of painting is impressionism and my favourite medium is oil, but I also like painting in acrylics, gouache and soft pastels. I am fascinated by light and shadow interplay. I love painting landscape, portrait and figure. My art brings me joy, harmony and hope. I admire artists like Monet, Dega, Van Gogh, Sorolla, Sargent and Zorn. I hope my artworks are as healing for the viewer as they are to me.
I love painting and drawing figures, rendering the movement and the gesture of the body. It is all about telling a story of the person I paint and how to express this in a dynamic and lively way.
“Peace, Peace series, Fuerteventura impression”
Oil on canvas paper, 12"X12 ", 2023
Oil on paper, 9"x12 ", 2023
“Hope, Fuerteventura impression”
This is my impression of a scene in Fuerteventura that reminded me that the human being cannot do or achieve anything without hope.
Oil on canvas, 8"x10 ", 2023
Portrait painting can be very challenging at times, but very rewarding as well. It requires a high level of concentration, sometimes it feels like doing a puzzle, one shape at a time!
My main goal , when creating a portrait is the expression of the subject. It is not an easy task, even if you follow all the existing theories and rules on how to draw and paint a portrait. It is about constant comparison of the forms and shapes, the relationship of the planes, angles and levels,. Also, the behavior of the light has a huge impact on how the shapes form.
For me the most important thing is what I want to say about the character that I am painting. I find it challenging, but at the same time it can be immensely rewarding, when you look at your painting and it is a success.
The key to successful portrait painting (and other painting genres also relate to this technique) is in stepping back, even leaving it and coming back in a couple of hours, which helps you to see your mistakes and correct them. And if you are completely stuck and do not see what exactly is wrong, do a mirror check. It works like magic!
Creating a series of portraits of my family members was one of my projects in 2022.
Acrylics on mixed media paper, 12"X12 ", 2023
A beautiful happy smile on a young beautiful face that was challenging to catch.
I find painting landscapes relaxing and meditative. It is impossible to render the incredible beauty of nature, we can only try to recreate it, being very humble in our ambitions.
What really helps me is the direct observation of nature and learning from nature.
We, artists, don't have to copy a scene, because our mission is to create an emotional response to the scene and try to express our own unique vision.
Another important skill we have to learn is the art of simplification! And always remember: less is more!
Before you start painting a landscape, there is so much to consider, even if it is from a reference photo: the effect of light, the interplay of light and shadow, the atmospheric conditions, the dance of the colours in the light, reflected light, soft, hard and lost and found edge are all so impactful on the result you want to achieve.
There are so many theories on how to paint a beautiful landscape..., but there is no magic formula! My way is using the blueprint of the process of painting that I have learnt from my amazing teachers combined with a direct observation of nature herself. Lots of squinting technique to see the big value shapes is involved here!
Oil on paper, 9"x12 ", 2023
Oil on paper, 11"x14"
Oil on canvas panel, 14"x18", 2024.
Oil on paper, 7"×9", 2024.
Oil on paper, 8"×11", 2022.
Soft pastels, 9"x12 ", 2023.
This is my favourite part of London. I feel lucky and grateful to be surrounded by this beauty!
Bulgarian series.
Inspired by the wildness of the vegetation and beautiful reflections.
Inspired by witnessing a real tragic event.
A sunset at the Black sea, Bulgarian series. Amazing colourful reflection on the waves.
“Magical glow after the rain ”
An amazing late sunset light after the storm, and beautiful reflection in the puddles
A strong light effect in this sunlit forest scenery with a dramatic contrast of the shadow and dappled light on the path.
"Start where you are and use what you have." - Marla Baguetta. That is exactly what I did four years ago!
I started with a set of pastels from my daughter's school materials and a set of school grade oils. I had never painted in pastels or oils before, so couldn't feel any difference. What I know for sure is that I immensely enjoyed the process of painting!
I have always thought before that painting a still life was boring... Nowadays, I really enjoy doing a still life, especially when the composition is created by myself. There is so much to consider again: different shapes interplay, light effect on the objects, reflected light and mysterious shadows.
It is rewarding to watch how ordinary objects turn into a harmonious composition and a lovely painting at the end!
I was inspired by the freshness and the colour interplay of the first garden tomatoes, symbolizing our deep connection with the mother land.
Every animal has a character, which is emphasized by the environment it is surrounded by. To catch that character and render it is quite a serious task! What I try in my paintings is to be faithful to this idea. The horses at the fenced farm longing for freedom. The bear is tired and sleepy after his long search for food. The little kitten is begging for milk and love. Even the bees have such a charisma!
Painting a cityscape can be challenging. The success of the painting is to catch a balanced composition and eliminate all the unnecessary details. Easier said, than done! But with practice and following the blueprint of the process, it is possible!
I love painting cityscapes, especially the places I have visited. The results are much more successful when I can emotionally relate to the subject.
Originally, I spent a lot of time to find what inspires me to paint on different websites or just using reference photos provided by my teachers, today I use my own reference photos.
It is very important to train your eyes to see the beauty of the ordinary scene in everyday life. One wise artist mentioned the importance of learning to see a "Grand Canyon" in your own backyard.
Channeling emotions through abstract expression.