Jack Reilly is a contemporary American artist known for his paintings on shaped canvas structures, seductive illusionism, and signature brushwork. His work is widely collected and exhibited in galleries and museums throughout the world. He is recognised as an original artist of the Abstract Illusionism movement, and one of the foremost painters working in shaped canvas today. 
Reilly's career began in Los Angeles in 1978, shortly after his paintings were discovered by prominent Los Angeles gallerist Molly Barns. Reilly had just received his MFA from Florida State University and promptly moved to Los Angeles. Following the critical success of his first solo Los Angeles exhibition, he was invited by Donald Brewer, curator of the Fisher Museum at the University of Southern California, to exhibit in The Reality of Illusion, a major traveling museum exhibition which opened at the Denver Art Museum and went on to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other prominent institutions nationwide. This series of museum exhibitions established Reilly as one of the original artists associated with the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. 
By the early 1980s, Reilly's paintings were exhibited and represented by galleries in major American art centers including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, Inside the L.A. Artist by Marva Marrow, and An Introduction to Design by Robin Landa.  
Throughout the years, such notable collectors, including Steve Martin, Fredrick and Marcia Weisman, Ralph Waite, Daniel Melnick and numerous other private collectors, as well as corporations and public institutions, acquired Reilly’s paintings. The 1990s yielded major public art commissions including a forty-foot, site-specific, steel wall structure for the County of San Diego Public Art Program, soon followed by an eighteen-foot, shaped-canvas painting commission for American Airlines at Los Angeles International Airport. In 2012 Reilly’s paintings were exhibited as part of the Los Angeles Getty Museum's Pacific Standard Time initiative: Art in L.A. 1945-1980. In 2016 his work was the subject of a solo retrospective exhibition at the California Museum of Art Thousand Oaks (CMATO). Continually active as a painter, widely collected and exhibited internationally, Reilly’s work can be found in numerous private, public and corporate collections including the Oakland Museum, Atlantic Richfield, American Airlines, and Verizon Communications, among others. In addition to Reilly's long-standing career as an exhibiting painter, he is Professor Emeritus with California State University Channel Islands, Camarillo, CA and currently maintains studios in California and Florida.

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