Location: Ukraine
Viktor Sudoky is a modern Ukrainian self-taught artist. He seeks inspiration in ordinary things and creates his own unique style. Viktor wants to convey the idea of the uniqueness of the world around us. His work is characterized by mystery and ambiguity of the images he creates.
“Bloody Gerberas of Donbass Painting”
Gerberas as a symbol of war and suffering of the Ukrainian people.
Space and eternity are two fascinating and inspiring concepts that are often reflected in art. Space, with its boundless expanse, stars, and galaxies, has become a symbol of mystery and infinite possibilities. Artists such as Van Gogh depicted the starry sky as something magical and transcendent.
The genesis and maintenance of life from beginning to end. About these works: Classification, methods and styles. Oil Paint composed of pigments, bound with linseed oil or cloves. Traditional technique of composition from superimposed layers of paint, richer oils, for a strong and dense suspension.
"The New Oranta" is a striking original oil painting on canvas, a vibrant and unique piece that draws from neo-primitivism and contemporary symbolism with a touch of folk art. This captivating artwork presents a powerful, almost mythological figure standing resiliently against a backdrop of industrial blue cities under a fiery sky, a poignant representation of a post-apocalyptic world.
Medium (painting): Chosen for its ability to convey bold contrasts and layered textures, amplifying the symbolic and emotional charge.
Subject matter (human + abstract): The human figure provides emotional grounding, while abstract and architectural motifs open space for interpretation.
Style (expressionist/symbolic): The exaggerated hair, vibrant colors, and geometric inserts create a visionary, dreamlike atmosphere—perfect for exploring themes of identity, creativity, and transcendence.
This work represents a striking interplay of geometric forms and bold colors, primarily using deep blues and rich reds. The composition consists of rectangular shapes strategically placed to create a sense of balance and rhythm. Subtle, contrasting lines intersect the forms, adding layers of complexity and intrigue. In the blue section, texture is noticeable, bringing depth and tactile qualities to the piece. The use of symmetry and alignment suggests an emphasis on precision and order. The work radiates a feeling of modernity and abstraction, inviting viewers to reflect on the meaning behind the structured arrangement. Such compositions can evoke emotions of stability and contemplation. The color palette and geometric simplicity recall contemporary architectural projects.
Two Cities, One Land reflects the artist’s inner world, deeply marked by the experience of war. The two cities embody contrasting states of the soul: the upper, engulfed in fiery reds, symbolizes destruction, anxiety, and chaos brought by conflict. The lower, immersed in cool blues, conveys the longing for peace, hope, and renewal.
Horizontal bands dividing the composition resemble boundaries between worlds — real and reflected, past and future. Each brushstroke carries the imprint of war: tension and loss, yet also the enduring desire to preserve life and rediscover harmony.
This work is more than an urban landscape; it is a visual testimony of how personal experience of war transforms into artistic language. Two Cities, One Land speaks of the duality of human existence: destruction and hope, chaos and silence, pain and the pursuit of peace.
“The Creation”
“The struggle of life”
“The New Oranta”
“Road”
“Two Worlds, One Land”
