Atsushi Ohta

Atsushi Ohta

Location:

ATSUSHI OHTA Profile

1961 Born in Aichi

1988 Graduated Tokyo University of the Arts. The Department of Oil Painting, of Fine Arts.

1990 Graduated Master's course Tokyo University of the Arts.

Solo exhibition

1995 Gallery Natsuka ( Tokyo ) 2010. 2011. 2012. 2013. 2014. 2015.

2015 Gallery DoDo ( Tokyo )

2021 Gallery Art Point bis ( Tokyo )

Group exhibition etc

1984 Japan-France Contemporary Art Exhibition ( Tokyo, Paris )

2016  New Artist Unit Exhibition ( The National Art Center, Tokyo ) 2017. 2018. 2019.

2017  ARTEX NEW YORK ( Ward-Nasse Gallery, New York )

SEI-SAI 精彩 Exhibition ( Hiltopia Art Square,Tokyo ) 2018. 2019. 2022. 2023. 2024.

JCAA Winners Exhibition ( Gallery K, Tokyo )

"The Six Crossings" Exhibition ( Yokohama Red Brick Warehouse, Yokohama )

2018  NAU in Paris ( galerie Metanoia, Paris )

2019  ENERGY OF JAPAN ( Galerie Metanoia, Paris )

NAU in NEW YORK ( Nippon Gallery, NewYork )

2020  Abstractism Kandinskij Award ( M.A.D.S. Milano )

International Contemporary Art exhibition ( M.A.D.S. Milano )

Ginza Contemporary Art exhibition ( Gallery Art Point, Tokyo )

2021  International Contemporary Exhibition KROMATIC@RT ( M.A.D.S. Milano )

International Contemporary Exhibition ROMANTICA ( M.A.D.S. Milano )

2022  International Contemporary Art exhibition LIQUID ARSENAL ( M.A.D.S. Milano )

Vision 2022 ( Gallery ANDLINKS 81.one, Tokyo )

International Contemporary Art Exhibition Visceral ( M.A.D.S.Milano ).

International Art Exhibition BRAIN CAKE in Barcelona ( M.A.D.S.Art Gallery )

2023  Sense 2023 ( Gallery ANDLINKS 81.bis )

International Art Exhibition INTERFERENCES ( M.A.D.S.Art Gallery Milano ).

International Contemporary Art exhibition EMERGING ( M.A.D.S.Art Gallery Milano )

 International Art & Culture Festival 2023 ( Galerie Onil Bremen )

International Group Exhibition Shape of vision ( Spazio 57 Naples ) Nartwork APS.

Organizing Chaos ( Fondazione Luciana Matalon. Milano ) Nartwork APS.

International Art Exhibition Incubo D’Artista ( M.A.D.S.Art Gallery Milano )

2024  International collective exhibition “Boundless Beauty” ( Bologna ) Nartwork APS

THE LAND OF SILENCE ( MUSA Pavilion. Venice ) MUSA International.

UNVEILED TRUTH ( Hub Art Gallery. Barcelona ) Nartwork APS

International Mixed Reality Art Exhibition KARMA ( M.A.D.S.Art Gallery Milano ).

BEYOND ART EXHIBITION ( M.A.D.S.Art Gallery Milano )

ROME ART EXPO ( MUSA international )

OUTWARD SOUL ( ONART GALLERY. FLORENCE, ITALY ) Nartwork APS

2025  Timebound Specter Exhibition in Venice. ( San Vidal Art Space.  Venice ) Nartwork APS

 

Published

2011 Kalons.net ( Japan )

2019 International Scientific and Practical Conference ( Ukraine ) 2024

2021  The Shibusawa Eiichi Memorial Foundation magazine “青淵”  2023

We Contemporary ( MUSA international Milan ) 2022

2022  aatonau.com

2023  ARTIFICIAL NATURE ( nartwork aps Hub / Art Barcelona ).

WORLD ART GUIDE ( Bellamonti Art, Sweden )

In Times Square ( M.A.D.S. Art Gallery ) 2024

Portfolio:

The thinking formula to arrive at the core.

The thinking formula to arrive at the core.
tentative assumption
Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.
1. Rethinking and redefining the language just for painting.
2. Constructing an autonomous painting space through 1.
3. Five-layer structure:
-2:penetration
-1:rubbing
±0:weave on the cloth
+1:drawing
+2:painting
4. Expression through conceptual act.
5. No superiority or priority is given to each painting language.
6. Arrangement of each painting language is based on equivalence.
7. The theme is the awareness of the eternity of one's own existence.
8. Depicting various aspects of living human existence.
9. Depicting fragments of my act and action.
10. Emerging "reality" through 8 and 9.
11. The motif is in the act of drawing a square.
12. misalignment, chipping, distortion, tilt
13, eternity, infinity, continuity, fluidity
14. The moment in the eternity, the here in the infinite.
15, Past time, misaligned space.
16. Thought, judgement, and act.
17. Entity, idea and act.
18. Arc line suggesting a circle.
19. The given idea and the act of its confirmation.
20. Two-way of passive and active.
21. The core idea and pictorial thought.

The thinking formula to arrive at the core.

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon" ( 法華経 寿量品 ）Sutra.

An approach to reality that begins with reflection on the "I" as a living human being.

When one takes it as a given that Buddhism is the fundamental philosophy and that the Buddhist teachings it preaches are absolute principles, the divergences that appear in the thoughts, judgments, and actions of the "I" indicate the present in eternity and the here and now in infinity, making one more strongly aware of one's existence as a subject.

Drawing a square. c.p.20 “Drawing a square. c.p.20”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.21. “Drawing a square. c.p.21.”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.24 “Drawing a square. c.p.24”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.26 “Drawing a square. c.p.26”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.27 “Drawing a square. c.p.27”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.28 “Drawing a square. c.p.28”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.39. “Drawing a square. c.p.39.”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.56b. “Drawing a square. c.p.56b.”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.54a.plus “Drawing a square. c.p.54a.plus”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.64 “Drawing a square. c.p.64”

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.

Drawing a square. c.p.67 “Drawing a square. c.p.67”

Drawing a square. c.p.83 “Drawing a square. c.p.83”

Drawing a square. c.p.84 “Drawing a square. c.p.84”

The thinking formula.

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon" ( 法華経 寿量品 ）Sutra.

An approach to reality that begins with reflection on the "I" as a living human being.

When one takes it as a given that Buddhism is the fundamental philosophy and that the Buddhist teachings it preaches are absolute principles, the divergences that appear in the thoughts, judgments, and actions of the "I" indicate the present in eternity and the here and now in infinity, making one more strongly aware of one's existence as a subject.

Drawing a square. c.p.86 “Drawing a square. c.p.86”

Drawing a square. c.p.87 “Drawing a square. c.p.87”

Drawing a square. c.p.89 “Drawing a square. c.p.89”

Drawing a square. c.p.90 “Drawing a square. c.p.90 ”

Drawing a square. c.p.91 “Drawing a square. c.p.91”

Drawing a square. c.p.95 “Drawing a square. c.p.95”

Drawing a square. c.p.97 “Drawing a square. c.p.97”

Drawing a square. c.p.98a “Drawing a square. c.p.98a”

Drawing a square. c.p.87 “Drawing a square. c.p.87”

Drawing a square. c.p.96 “Drawing a square. c.p.96”