The thinking formula to arrive at the core. 2010 - 2024

The thinking formula to arrive at the core.
tentative assumption
Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.
1. Rethinking and redefining the language just for painting.
2. Constructing an autonomous painting space through 1.
3. Five-layer structure:
-2:penetration
-1:rubbing
±0:weave on the cloth
+1:drawing
+2:painting
4. Expression through conceptual act.
5. No superiority or priority is given to each painting language.
6. Arrangement of each painting language is based on equivalence.
7. The theme is the awareness of the eternity of one's own existence.
8. Depicting various aspects of living human existence.
9. Depicting fragments of my act and action.
10. Emerging "reality" through 8 and 9.
11. The motif is in the act of drawing a square.
12. misalignment, chipping, distortion, tilt
13, eternity, infinity, continuity, fluidity
14. The moment in the eternity, the here in the infinite.
15, Past time, misaligned space.
16. Thought, judgement, and act.
17. Entity, idea and act.
18. Arc line suggesting a circle.
19. The given idea and the act of its confirmation.
20. Two-way of passive and active.
21. The core idea and pictorial thought.

The thinking formula to arrive at the core.

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon" ( 法華経 寿量品 ）Sutra.

An approach to reality that begins with reflection on the "I" as a living human being.

When one takes it as a given that Buddhism is the fundamental philosophy and that the Buddhist teachings it preaches are absolute principles, the divergences that appear in the thoughts, judgments, and actions of the "I" indicate the present in eternity and the here and now in infinity, making one more strongly aware of one's existence as a subject.

The thinking formula. 2024 -

Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon" ( 法華経 寿量品 ）Sutra.

An approach to reality that begins with reflection on the "I" as a living human being.

When one takes it as a given that Buddhism is the fundamental philosophy and that the Buddhist teachings it preaches are absolute principles, the divergences that appear in the thoughts, judgments, and actions of the "I" indicate the present in eternity and the here and now in infinity, making one more strongly aware of one's existence as a subject.

The thinking formula to arrive at the core.
tentative assumption
Drawing a square
In the moment of the present.
In the limited area of here.
Awareness of eternity on oneself, preached in the "Hokekyou Juryouhon"(法華経 寿量品) Sutra.
1. Rethinking and redefining the language just for painting.
2. Constructing an autonomous painting space through 1.
3. Five-layer structure:
-2:penetration
-1:rubbing
±0:weave on the cloth
+1:drawing
+2:painting
4. Expression through conceptual act.
5. No superiority or priority is given to each painting language.
6. Arrangement of each painting language is based on equivalence.
7. The theme is the awareness of the eternity of one's own existence.
8. Depicting various aspects of living human existence.
9. Depicting fragments of my act and action.
10. Emerging "reality" through 8 and 9.
11. The motif is in the act of drawing a square.
12. misalignment, chipping, distortion, tilt
13, eternity, infinity, continuity, fluidity
14. The moment in the eternity, the here in the infinite.
15, Past time, misaligned space.
16. Thought, judgement, and act.
17. Entity, idea and act.
18. Arc line suggesting a circle.
19. The given idea and the act of its confirmation.
20. Two-way of passive and active.
21. The core idea and pictorial thought.

miniature

Solo exhibition

Solo exhibitions since 2010.

Group exhibition.

Review

Published