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Location: Canada
This portfolio reflects my developing exploration of colour, texture and the histories held within a surface.
My abstract work is built intuitively through layers, allowing earlier marks, colours and imperfections to remain partially visible beneath what comes next. I am drawn to surfaces that feel weathered and lived in, and to the quieter tension between what is revealed and what remains hidden.
Alongside these works are paintings inspired by the natural world: a sunset, stones, trees and landscape. Even when the subject is recognizable, I am less interested in reproducing what I see than in exploring its colour, texture, atmosphere and emotional impression.
Although the works move between pure abstraction and references to nature, they share the same curiosity: what happens when we stop trying to describe something precisely and allow colour, surface and feeling to tell part of the story instead?
As an artist who began painting later in life, this portfolio is also a record of discovery. I am still experimenting, still refining my visual language, and increasingly interested in the space where abstraction, memory and the natural world meet.
Layers of colour and texture accumulate across the surface, leaving traces of what came before. The work explores memory, imperfection and the quiet beauty found in what remains visible after change.
A restrained exploration of colour, surface and layering. Earlier marks emerge through subsequent layers, creating a sense of history and inviting the viewer to consider what may exist beneath what is immediately visible.
Inspired by the shifting colours of sunset, this work sits between landscape and abstraction. Rather than depicting a particular place, it captures the atmosphere of a fleeting moment as recognizable forms begin to dissolve into colour.
Natural forms become a starting point for an exploration of shape, texture and repetition. The familiarity of stones is retained while colour and abstraction shift the work away from literal representation.
A tree provides the recognizable structure for a painting concerned as much with atmosphere and surface as with subject. Organic forms and layered colour blur the boundary between observing the natural world and responding to it emotionally.