Location: Israel
About the artist:
Born in Argentina in 1949 - settled in Israel in 1970. His art has enjoyed an international audience spanning from England and France to Romania and Japan. His "Eco-Art" first took form as a direct result of the Gulg War and the damage it wrought to the environment. Hasbani is currently regarded as one of the premier artists in Israel.
"Year 2200" is a visual and textual story which depicts the conflict between the romantic vision of an idyllic world of Mother Nature with the rampant abuse and destruction of Nature brought about by hyper-industrialization and the reckless pursuit of profit. Hasbani deftly illustrtes this tension with his masterful use of watercolors, pastels, acrylics, gouaches and a variety of mixed media.
"Year 2200" is the largest exhibition (about 130 pictures of different sizes. More information for other kind of exhibitions (graphics, small pictures, etc) please contact to the artist:
Abraham Daniel Hasbani
P.O.BOX 13260 Karmiel, Israel – 20100
Tel/Fax: 972-4-9081055 - Phone: 972-528-303347
"Year 2200" is a visual and textual story which depicts the conflict between the romantic vision of an idyllic world of Mother Nature with the rampant abuse and destruction of Nature brought about by hyper-industrialization and the reckless pursuit of profit. Hasbani deftly illustrtes this tension with his masterful use of watercolors, pastels, acrylics, gouaches and a variety of mixed media.
"Year 2200" is the largest exhibition (about 130 pictures of different sizes. More information for other kind of exhibitions (graphics, small pictures, etc) please contact to the artist:
Abraham Daniel Hasbani
P.O.BOX 13260 Karmiel, Israel – 20100
Tel/Fax: 972-4-9081055 - Phone: 972-528-303347
Description: This surreal and symbol-rich painting explores the tension and interconnectedness between fragmented identities and collective memory. Executed in oil on canvas, the composition presents two central figures amidst a field of abstract and symbolic elements — including floating eyes, a nude figure outlined in white, a checkered floor, and a large die — all contributing to a psychological and metaphysical atmosphere.
The figures face each other in a theatrical interplay, referencing personal introspection, chance, and the layers of cultural memory. The use of symbolic artifacts such as the bottle, the lying figure, and the blue key-like shape suggests hidden narratives and subconscious dialogues.
In this work, Hasbani continues his visual language rooted in biblical allegory, existential inquiry, and ecological awareness — blending figurative abstraction with emotional resonance. Medium: Oil on Canvas Dimensions: 900 × 1200 mm Artist: Abraham Daniel Hasbani
Description: This painting presents an existential dialogue between symbolic figures caught within a fragmented and surreal space. The two central characters face each other across a theatrical setting composed of layered elements — a checkered floor, floating eyes, a bottle, a large die, and geometric abstractions — each alluding to inner tension, identity, and human complexity.
Executed in oil on canvas, the work evokes the ambiguity of perception and the confrontation between consciousness and chance. The open composition, restrained color palette, and juxtapositions suggest themes of isolation, introspection and metaphysical inquiry.
Hasbani’s unique visual language is shaped by philosophical reflection and emotional depth, offering the viewer not answers but questions. In this piece, the artist invites us to contemplate the architecture of the self and the fragile boundaries of existence.
This painting is a visual interpretation of the biblical story of Passover. Executed in oil on canvas, the work captures iconic symbols and characters from the Exodus narrative — including Moses in the basket, Pharaoh Ramses, and Miriam, Moses’ sister — embedded within a complex and layered composition.
This painting is a visual interpretation of the biblical story of Passover. Executed in oil on canvas, the work captures iconic symbols and characters from the Exodus narrative — including Moses in the basket, Pharaoh Ramses, and Miriam, Moses’ sister — embedded within a complex and layered composition.
“PUMA LLORA”
““Dialogues of Existence ””
““The Passover Narrative ””
