Location: United States
Marilyn Henrion was born in 1932 in Brooklyn New York and is a graduate of Cooper Union and Fordham University. Her works are included in museum, corporate, government, and private collections internationally. She is also represented in the Smithsonian Institution’s Archives of American Art. A lifelong New Yorker, Henrion relocated to Texas in 2022 at the age of 90, where she continues to create, exhibit, and sell her works.
This series of linen collages on stretched canvas created with images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particular place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk, t
14"x11"..This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particular place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particular place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particular place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
14"x11":...This series of framed linen collages on stretched canvas are created from images derived from my digitally manipulated photographs of places in which I have lived or visited. They evoke the feeling of a particula r place in an impressionistic style rather than a representational one, conveying a mood rather than a literal depiction. They are reflective of fleeting impressions one experiences when traveling in a moving vehicle or on a fast walk,
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
40"x30"..mixed media, hand quilted.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
40"x30"..mixed media, hand quilted.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
40"x30"..mixed media, hand quilted.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
40"x30"..mixed media, hand quilted.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
40"x30"..mixed media, hand quilted.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
40"x30"..mixed media, hand quilted.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
2 panels, each 24"x18"...mixed media, hand quilted
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed.
Although all of the images that I create from my original photographs are mani[pulated in the computer before I commit them to a work, I am often conflicted about how much abstraction I want to employ. A fascination with the detail in the subject depicted vies with the the personal emotional component conveyed in the abstraction. This conflict resonates with the poem by Wallace Stevens…
“I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendos, The blackbird whistling
Or just after.”
Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
Digitally manipulated photography, printed on organic cotton sateen, hand quilted, gallery-wrapped on canvas stretchers, framed. Returning to my original exploration of geometric abstraction, this series invites deeper reflection on the intricate interplay of color, form, and texture. Hand quilting coupled with digitally manipulated photography offers a contemporary aesthetic experience while honoring traditional fine craftsmanship'
“Impressions 39”
“Impressions 11”
“Impressions 14”
“Impressions 15”
“Impressions 16”
“Impressions 44”
“Impressions 41”
“Impressions 42”
“Impressions 28”
“Impressions 49”
“Impressions35”
“Impressions 51”
“Impressions 50”
“Impressions 43”
“Impressions 45”
“Impressions 29”
“Innuendo 1”
“Innuendo 2”
“innuendo 4”
“Innuendo 5”
“innuendo 6”
“innuendo 7”
“Innuendo 8 Diptych”
“Innuendo 28”
“innuendo 10”
“Innuendo 14”
“Innuendo 16”
“Innuendo 20 (Roots)”
“innuendo 21”
“The Geometer's Hand 14”
“The Geometer's Hand 1”
“The Geometer's Hand 2”
“The Geometer's Hand 4”
“The Geometer's Hand 5”
“The Geometer's Hand 6”
“The Geometer's Hand 7”
“The Geometer's Hand 8”
“The Geometer's Hand 3”
“The Geometer';s Hand 9”
“The Geometer's Hand 10”
“The Geometer's Hand 12”
“The Geometers Hand 11”
“The Geometer's Hand 13”
“The Geometer's Hand 15”
“The Geometer's Hand 16”
“The Geometer's Hand 17”
“The Geometer's Hand 18”
