Her practice explores the female body as a space of memory, resistance, and social inscription. Through material experimentation — from plexiglass structures to performative gestures — she addresses themes of identity, vulnerability, censorship, and power relations within contemporary society.

Ponté has realized over 20 solo exhibitions and more than 50 group exhibitions in Croatia and internationally. She is the author of several public sculptures and recipient of multiple awards, including the First Prize at Mandrač (2023). Her works are included in public collections such as the Antun Augustinčić Gallery and the Lošinj Museum.

She lives and works in Croatia.