16.01.26

FANTY BUILDING: WHEN INTIMACY MEETS ARCHITECTURE

posted by Fanty Building

In the contemporary art scene, few figures manage to merge the structural weight of architecture with the delicate transparency of silk like Enrico Thanhoffer, better known by his creative brand Fanty Building. As the pioneer of the Globism movement, Thanhoffer has evolved a provocative aesthetic into a profound philosophy, now manifesting in our homes through a collection of chandeliers that challenge every traditional design boundary. The Curve of Globism: Rejecting the Right Angle At the heart of the Fanty Building universe lies a systematic rejection of rigid, cold rationalism. Globism is more than an artistic trend; it is a manifesto celebrating the curve and the sphere as the only forms capable of truly sheltering the human spirit without constriction. While his urban installations often "dress" ancient monuments to highlight their vulnerability, Thanhoffer’s interior design work seeks to illuminate the very essence of human existence. "Mutanda Buildings": The Architecture of the First Home The artist's most famous and irreverent concept, the Mutanda Building (Underwear Building), finds its domestic peak in a series of sculptural light fixtures. For Thanhoffer, underwear represents the "first architecture" a human ever wears—a protective membrane that separates our most private selves from the outside world. The Fanty Building chandeliers act as luminous portraits of this intimacy: Textural Diversity: From blue silk and black lace to ethnic macramé and vibrant fringe, each piece creates a unique atmosphere ranging from Baroque elegance to Modernist provocation. The Inner Glow: The light does not strike the object from the outside; it emanates from within the garment, transforming the fabric into a vibrant skin that casts soft, organic shadows. Humanizing the Space: These objects break the sterile silence of minimalist interiors, injecting a sense of "imperfect humanity" and warmth into the domestic sphere. A Global Alarm for Beauty As explored in his latest publication, "Mutanda Buildings" (Studio Byblos, 2025), Thanhoffer’s work serves as a "General Alarm". It is a call to rediscover care for our shared heritage, whether it is a global icon like the Colosseum or the most private corner of our bedroom. To choose a piece from Fanty Building is to embrace a vision where art is no longer a distant object to be observed, but a playful and conscious companion that illuminates our daily lives with both irony and philosophical depth.

14.01.26

2026 MAGAZINE ART SERIES BY. ANDRE PACE

posted by Andre Pace

Featured Artist paintings by.Andre pace Invitation virtual Magazine & print series.. https://www.magcloud.com/browse/issue/3221243 https://www.magcloud.com/browse/issue/3229105

13.01.26

FINALIST CERTIFICATE

posted by GENEVIÈVE CHAUSSÉ

Finalist Certificate for the 76th International Artavita Online Art Contest for the Artist of the Year 2025 Award.

10.01.26

LE MARTYRE DE SAINT ANDRÉ (EL MARTIRIO DE SAN ANDRÉS) DE JEAN II RESTOUT (1749).

posted by Juan Angel Gamez Ortiz

He dibujado con pastel la pintura religiosa de Jean II Restaut, datada aproximadamente en 1749. La obra representa a San Andrés atado/puesto en la cruz en forma de aspa (la crux decussata), con varios personajes y escaleras en la escena.

10.01.26

ART AS A STATEMENT FOR GLOBAL UNITY

posted by Renate Helene Schweizer

Art as a Statement for Global Unity The Global Citizens’ Network: A Universal Bond of Unity Woven from Tea Bag Threads In an era increasingly defined by social fragmentation and environmental crises, the Karlsruhe-based eco-artist Renate Helene Schweizer has established a powerful symbol of Unity [1, 2]. Her project, "WeltenBürgerNetz – Network of Generations and Nations," is a monumental, continuously growing artwork made from tens of thousands of interlinked tea bag threads collected and knotted by people from across the globe [3, 4]. Tea Drinking as a Universal Connector The choice of material is intentional. Tea drinking is viewed as a universal, connecting element between peoples and cultures, recognized on every continent [1, 5]. Guided by her principle of the "responsible artist," Schweizer utilizes the entire tea bag—from the paper to the thread—to represent the complexity of the world and the necessity of peaceful coexistence [2, 4, 5]. While the paper is used for the "Global Citizens’ Blanket" (Welten-Bürger-Decke), the threads form the backbone of the "Network of Generations" [1, 3, 6]. A Participatory Network of Generations and Nations At the heart of the project is participation [4]. Schweizer invites people of diverse origins, nationalities, and religions in public spaces—such as trains, schools, cafes, or while traveling—to knot individual threads together [3, 4, 7].  Diversity of Contributors: From schoolchildren in Karlsruhe to renowned artists like Gilbert & George from the UK, and citizens from Mexico, Finland, Israel, Palestean, Libya, and other countries thousands have contributed to the network [8-10]. Social Function: Similar to historical "quilting bees" in America, these meetings serve a social function, encouraging collective action and dialogue to overcome social and cultural barriers and experience community firsthand [4, 11]. Art as a Political Statement for Global Unity The "Global Citizens’ Network" is far more than an aesthetic object; it serves as a **protest against the growing gap between the rich and the poor and the marginalization of individuals based on education or prestige [1, 4]. For the artist, the network symbolizes an ideal society in which every individual—regardless of age, gender, or status—is a rightful part of the whole [1, 4]. The ecological dimension is emphasized through sustainability and reduction. The network evokes Alexander von Humboldt’s "Net of Life," in which everything is interconnected [12, 13]. it conveys the revolutionary message that the salvation of the world is only possible through collective action and the connection of all social actors [12, 13]. Conclusion and Outlook The steadily growing network, which took shape worldwide leading up to a milestone in 2022 (the year of a planned auction to benefit a pension fund for artists), remains a living testament to global solidarity [4, 8]. It makes the artistic process tangible for everyone and transforms everyday waste into a symbol of **global ethical responsibility** [4, 14]. Metaphor for Understanding: Think of this network as a vast, woven ecosystem: a single tea bag thread is thin and breaks easily, but once knotted with countless others, it creates a robust structure strong enough to support and connect entire communities [4, 12]. Bibliography 1.  Patrizia Kaluzny: "Wait, Drink Tea, and Make Art," a newspaper article regarding the city anniversary and the "Global Citizens’ Blanket" [1]. 2.  Renate Helene Schweizer: "Network of GeNerATIONS," PDF documentation concerning the project created from knotted tea bag threads [2]. 3.  Renate Helene Schweizer: "COME TO THE TABLE – An Invitation to All Nations and Religions," a reader for the practical testing of artistic projects [3]. 4.  Sylvia Kotting-Uhl: "Manuscript for the Vernissage," featuring political and ecological reflections on sustainability and Humboldt's "Net of Life" within the context of Schweizer’s work [4]. 5.  Project Documentation: A directory of international contributors, including individuals from Italy, Mexico, Chile, Finland, and Libya [5, 6]. 6.  Concept Paper: "Global Citizens’ Blanket 2015," describing the symbolism of human uniqueness represented through uniquely stained tea bag papers [7]. 7.  Visual Documentation: Photographic records of the materials (tea bag threads, paper) and the artist during the creative process [1, 8-10]. In summary:These sources confirm that the project serves both a **social function** as a place for peaceful encounters and a **political statement** against the marginalization of individuals based on their status [3, 11]. The work combines the idea of **global responsibility** with an aesthetic of reduction [12, 13].