17.04.24

AN1MAGINE MAGAZINE, VOL. 8 NO.1, 2024

posted by Barbara Schneider

AN1MAGINE Magazine, Vol. 8 No.1, 2024 by @an1mage, Literary NFT Publisher. "The Sun will Rise Tomorrow" ( https://nftdesignawards.io/project/the-sun-will-rise-to) by B a r b a r a Schneider is featured/ published in An1magine Volume 8 Number 1 January-March 2024. Link NFT MAGAZINE (free): https://play.google.com/store/books/details?id=9jv-EAAAQBAJ Enjoy NFTs, NFT DESIGN AWARDS, INTERESTING ARTICLES and MORE. Enjoy & get inspired to enrich your ART Collection! Industrial NATURE or The Sun will Rise Tomorrow, Link: https://objkt.com/asset/KT1QJGCTXyJJk6HyUZuBM8GwDi5KZ2Zyjycx/10, Blue Sunset, Link: https://objkt.com/asset/KT1QJGCTXyJJk6HyUZuBM8GwDi5KZ2Zyjycx/9

10.04.24

FIRA BARCELONA ART3F

posted by Patrick Joosten

My artworks Storm & Beating Heart in exhibition at the Fira Barcelona ART3F with Capital Culture House.

09.04.24

IN THE CLOUDS - BROTHERS

posted by Anne

08.04.24

OVER THE TOP

posted by Alan Goldberg

I have been told that my work is "uniquely refreshing and beautiful"! many photography purist ask me why I have ruined a perfectly good photo. I respond with the fact that they did not have my vision. I create a new world view with an over the top use of color and ultra contrast and sharpness. Here is one example from my collection on www.limitededitionsbyalan.com

05.04.24

HERE AND NOW

posted by Brenda Patricia Rodriguez Fernandez

"My creative process is a collaboration with nature. When materials react or as they are drying, it is the elements of temperature, space, time, humidity, and wind that determine how a piece will be transformed. This collaboration is a continuous process: if the day is hot; if my materials react in a particular way; if I use pigments; if it is windy, there will be a gap in the canvas. I use organic materials: natural pigments, different textures, marble dust, sand, flax oil, and paints that I create. Crucially, fabric occupies the main space. I believe we often forget the important role played by both the easel and the canvas. In my work, the weave of the fabric always plays a fundamental role."