This collection, created in collaboration with artist Cynthia Rozencwaig, explores Hybrid Identity as a defining condition of contemporary human beings.
Through these paintings, the profound and ambivalent impact of the digital world on our essence is confronted: the internet, social media, performative identities—both anonymous and exposed—avatars, profiles, and virtual masks that coexist with the physical and biographical self.
In a fragmented yet hyperconnected landscape, the individual is no longer singular, but multiple: a web of overlapping, contradictory, and mutually reinforcing versions. This condition generates inevitable—and often irreversible—transformations, both personal and collective.
The series does not seek to pass moral judgment or offer harmonious solutions. Rather, it makes visible the productive tension between the positive and the destructive: the expansion of self-expression and constant surveillance, global connection and radical solitude, the liberation from traditional norms and the new tyranny of perpetual visibility.
These works portray the post-digital subject as a constantly mutating hybrid: a being that can no longer be defined without including the screen, the algorithm, and the gaze of the digital other. A being whose identity, for the first time in history, is constructed simultaneously inside and outside the body.
The question that resonates in each canvas is not “Who am I?” but “Who are we when we can no longer cease to be many?”
“PLEASURE AND PAIN”
“HYBRID IDENTITY I”
